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Volume : II, Issue : III, April - 2012

RAAG CONCEPT IN INDIAN MUSIC : A DELIBERATION

ARCHANA M. AMBHORE

Published By : Laxmi Book Publication

Abstract :

This paper describes the Raga concept in Indian Music, it also describes about comparative study by different scholars. The concept of Raga is therefore a product of thought or an idea of settings of abstract idea of tones, transfered in concrete form. Raga means a basic melodic and grammatical construct born out of the entire gamut of musical notes subjected to a process of intentional selection and further exploited with a view to enable the artist to produce melodic patterns of infinite variety.

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Cite This Article :

ARCHANA M. AMBHORE, (2012). RAAG CONCEPT IN INDIAN MUSIC : A DELIBERATION. Indian Streams Research Journal, Vol. II, Issue. III, http://oldisrj.lbp.world/UploadedData/868.pdf

References :

  1. B. Chaitanya Dev, Indian Music.
  2. Dictionary of South Indian Music, P. 344.
  3. Pathak Sananda, Hindustani Sangit me rag ki Utpatti Evam, Vikas, Pg. 31.
  4. Brihaddeshi, Pg. 94
  5. 'Ragoka' Eaitihasik Vikas, Sunanda Pathak, Pg. 45
  6. Choudhary, Subhash Rani, Sangit Ke Pramukh Siddhant, Pg. 78
  7. Sharma, Dr. Premlata, Rag Lakshna Athava Rag Ke Avashyak Tattva, Nibandha Sangit, Pg. 261-262.
  8. Swami Prajnananda, A Historical Study of Indian Music, The concept of Raga, Pg. 117.
  9. Ibid, Pg. 120
  10. Shtrangways, 'Ragas of Hindustan', Pg. 127
  11. Popley, K.A., 'The Music of India', Pg. 39
  12. Rao, H.P. Krishna, The Psychology of Music, Page 30.
  13. Dr. Saxena, S.K., Aesthetical Essays, Pg. 130.
  14. Dr. Ratanjankar S.N. Raga its meaning and purpose, Pg. 221 (Commemoration Volume in Honour of Dr. S.N. Ratanjankar)
  15. Ibid, Pg. 221

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